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Monthly Archives: Ноември 2010

Man Booker Prize

The Man Booker Prize for Fiction is a literary prize awarded each year for the best original full-length novel, written in the English language, by a citizen of the Commonwealth of Nations, Ireland, or Zimbabwe. The winner of the Man Booker Prize is generally assured of international renown and success; therefore, the prize is of great significance for the book trade. It is also a mark of distinction for authors to be nominated for the Man Booker longlist or selected for inclusion in the shortlist.

Winners

In 1993, the Booker of Bookers Prize was awarded to Salman Rushdie for Midnight’s Children (the 1981 winner), as the best novel to win the award in the first 25 years of its existence. A similar prize known as The Best of the Booker was awarded in 2008 to celebrate the 40th anniversary of the prize – this was also won by Midnight’s Children.

Year Author Title Country
1969 P. H. Newby Something to Answer For United Kingdom
1970 Bernice Rubens The Elected Member United Kingdom
1970 J. G. Farrell Troubles United Kingdom
1971 V. S. Naipaul In a Free State United Kingdom
Trinidad and Tobago
1972 John Berger G. United Kingdom
1973 J. G. Farrell The Siege of Krishnapur United Kingdom
1974 Nadine Gordimer The Conservationist South Africa
Stanley Middleton Holiday United Kingdom
1975 Ruth Prawer Jhabvala Heat and Dust United Kingdom
West Germany
1976 David Storey Saville United Kingdom
1977 Paul Scott Staying On United Kingdom
1978 Iris Murdoch The Sea, the Sea Ireland
1979 Penelope Fitzgerald Offshore United Kingdom
1980 William Golding Rites of Passage United Kingdom
1981 Salman Rushdie Midnight’s Children United Kingdom
India
1982 Thomas Keneally Schindler’s Ark Australia
1983 J. M. Coetzee Life & Times of Michael K South Africa
1984 Anita Brookner Hotel du Lac United Kingdom
1985 Keri Hulme The Bone People New Zealand
1986 Kingsley Amis The Old Devils United Kingdom
1987 Penelope Lively Moon Tiger United Kingdom
1988 Peter Carey Oscar and Lucinda Australia
1989 Kazuo Ishiguro The Remains of the Day United Kingdom
Japan
1990 A. S. Byatt Possession: A Romance United Kingdom
1991 Ben Okri The Famished Road Nigeria
1992 Michael Ondaatje The English Patient Canada
Sri Lanka
Barry Unsworth Sacred Hunger United Kingdom
1993 Roddy Doyle Paddy Clarke Ha Ha Ha Ireland
1994 James Kelman How Late It Was, How Late United Kingdom
1995 Pat Barker The Ghost Road United Kingdom
1996 Graham Swift Last Orders United Kingdom
1997 Arundhati Roy The God of Small Things India
1998 Ian McEwan Amsterdam United Kingdom
1999 J. M. Coetzee Disgrace South Africa
2000 Margaret Atwood The Blind Assassin Canada
2001 Peter Carey True History of the Kelly Gang Australia
2002 Yann Martel Life of Pi Canada
2003 DBC Pierre Vernon God Little Australia
2004 Alan Hollinghurst The Line of Beauty United Kingdom
2005 John Banville The Sea Ireland
2006 Kiran Desai The Inheritance of Loss India
2007 Anne Enright The Gathering Ireland
2008 Aravind Adiga The White Tiger India
2009 Hilary Mantel Wolf Hall United Kingdom
2010 Howard Jacobson The Finkler Question United Kingdom

2011 Julian Barnes The Sense of an Ending Novel   United Kingdom

Man Booker Prize

Man Booker International Prize

Russian Booker Prize

Winners of the Booker-Open Russia



 
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Posted by на Ноември 14, 2010 во Uncategorized

 

Pulitzer Prize for General Non-Fiction

The Pulitzer Prize for General Non-Fiction has been awarded since 1962 for a distinguished book of non-fiction by an American author that is not eligible for consideration in another category.

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Posted by на Ноември 6, 2010 во Uncategorized

 

Pulitzer Prize for Biography or Autobiography

The Pulitzer Prize for Biography or Autobiography has been presented since 1917 for a distinguished biography or autobiography by an American author.

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Posted by на Ноември 6, 2010 во Uncategorized

 

Pulitzer Prize for History

The Pulitzer Prize for History has been awarded since 1917 for a distinguished book upon the history of the United States. Many history books have also been awarded the Pulitzer Prize for General Non-Fiction and Pulitzer Prize for Biography or Autobiography

Three people have won the Pulitzer Prize for History twice: Margaret Leech, for Reveille in Washington, 1860–1865 in 1941 and In the Days of McKinley in 1960, Bernard Bailyn, for The Ideological Origins of the American Revolution (1968) and Voyagers to the West: A Passage in the Peopling of America on the Eve of the Revolution (1987), and Gordon S. Wood, for “The Radicalism of the American Revolution” (1993) and “Empire of Liberty: A History of the Early Republic, 1789-1815” (2010).

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Posted by на Ноември 6, 2010 во Uncategorized

 

Pulitzer Prize for Poetry

The Pulitzer Prize in Poetry has been presented since 1922 for a distinguished volume of original verse by an American author. However, special citations for poetry were presented in1918 and 1919.

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Posted by на Ноември 6, 2010 во Uncategorized

 

Pulitzer Prize for Fiction

The Pulitzer Prize for Fiction has been awarded for distinguished fiction by an American author, preferably dealing with American life. It originated as the Pulitzer Prize for the Novel, which was awarded between 1918 and 1947.

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Entries from this point on include the finalists listed after the winner for each year.

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Posted by на Ноември 6, 2010 во Uncategorized

 

List of Nobel laureates in Literature

Laureates

Year Laureate Country Language Rationale
1901 Sully Prudhomme France French “in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect”
1902 Theodor Mommsen Germany German “the greatest living master of the art of historical writing, with special reference to his monumental work, A History of Rome
1903 Bjørnstjerne Bjørnson Norway Norwegian “as a tribute to his noble, magnificent and versatile poetry, which has always been distinguished by both the freshness of its inspiration and the rare purity of its spirit”
1904 Frédéric Mistral France Occitan “in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist”
José Echegaray Spain Spanish “in recognition of the numerous and brilliant compositions which, in an individual and original manner, have revived the great traditions of the Spanish drama”
1905 Henryk Sienkiewicz Poland Polish “because of his outstanding merits as an epic writer”
1906 Giosuè Carducci Italy Italian “not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces”
1907 Rudyard Kipling United Kingdom English “in consideration of the power of observation, originality of imagination, virility of ideas and remarkable talent for narration which characterize the creations of this world-famous author”
1908 Rudolf Christoph Eucken Germany German “in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life”
1909 Selma Lagerlöf Sweden Swedish “in appreciation of the lofty idealism, vivid imagination and spiritual perception that characterize her writings”
1910 Paul von Heyse Germany German “as a tribute to the consummate artistry, permeated with idealism, which he has demonstrated during his long productive career as a lyric poet, dramatist, novelist and writer of world-renowned short stories”
1911 Maurice Maeterlinck Belgium French “in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers’ own feelings and stimulate their imaginations”
1912 Gerhart Hauptmann Germany German “primarily in recognition of his fruitful, varied and outstanding production in the realm of dramatic art”
1913 Rabindranath Tagore India Bengali “because of his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own Englishish words, a part of the literature of the West”
1914 Not awarded
1915 Romain Rolland France French “as a tribute to the lofty idealism of his literary production and to the sympathy and love of truth with which he has described different types of human beings”
1916 Verner von Heidenstam Sweden Swedish “in recognition of his significance as the leading representative of a new era in our literature”
1917 Karl Adolph Gjellerup Denmark Danish “for his varied and rich poetry, which is inspired by lofty ideals”
Henrik Pontoppidan Denmark Danish “for his authentic descriptions of present-day life in Denmark”
1918 Not awarded
1919 Carl Spitteler Switzerland German “in special appreciation of his epic, Olympian Spring
1920 Knut Hamsun Norway Norwegian “for his monumental work, Growth of the Soil
1921 Anatole France France French “in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament”
1922 Jacinto Benavente Spain Spanish “for the happy manner in which he has continued the illustrious traditions of the Spanish drama”
1923 William Butler Yeats Ireland English “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation”
1924 Władysław Reymont Poland Polish “for his great national epic, The Peasants
1925 George Bernard Shaw Ireland English “for his work which is marked by both idealism and humanity, its stimulating satire often being infused with a singular poetic beauty”
1926 Grazia Deledda Italy Italian “for her idealistically inspired writings which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general”
1927 Henri Bergson France French “in recognition of his rich and vitalizing ideas and the brilliant skill with which they have been presented”
1928 Sigrid Undset Norway Norwegian “principally for her powerful descriptions of Northern life during the Middle Ages”
1929 Thomas Mann Germany German “principally for his great novel, Buddenbrooks, which has won steadily increased recognition as one of the classic works of contemporary literature”
1930 Sinclair Lewis United States English “for his vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters”
1931 Erik Axel Karlfeldt Sweden Swedish “The poetry of Erik Axel Karlfeldt”
1932 John Galsworthy United Kingdom English “for his distinguished art of narration which takes its highest form in The Forsyte Saga
1933 Ivan Bunin stateless domicile inFrance Russian “for the strict artistry with which he has carried on the classical Russian traditions in prose writing”
1934 Luigi Pirandello Italy Italian “for his bold and ingenious revival of dramatic and scenic art”
1935 Not awarded
1936 Eugene O’Neill United States English “for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy”
1937 Roger Martin du Gard France French “for the artistic power and truth with which he has depicted human conflict as well as some fundamental aspects of contemporary life in his novel cycle Les Thibault
1938 Pearl S. Buck United States English “for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces”
1939 Frans Eemil Sillanpää Finland Finnish “for his deep understanding of his country’s peasantry and the exquisite art with which he has portrayed their way of life and their relationship with Nature”
1940 Not awarded
1941 Not awarded
1942 Not awarded
1943 Not awarded
1944 Johannes Vilhelm Jensen Denmark Danish “for the rare strength and fertility of his poetic imagination with which is combined an intellectual curiosity of wide scope and a bold, freshly creative style”
1945 Gabriela Mistral Chile Spanish “for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world”
1946 Hermann Hesse Switzerland German “for his inspired writings which, while growing in boldness and penetration, exemplify the classical humanitarian ideals and high qualities of style”
1947 André Gide France French “for his comprehensive and artistically significant writings, in which human problems and conditions have been presented with a fearless love of truth and keen psychological insight”
1948 T. S. Eliot United States / United Kingdom English “for his outstanding, pioneer contribution to present-day poetry”
1949 William Faulkner United States English “for his powerful and artistically unique contribution to the modern American novel”
1950 Bertrand Russell United Kingdom English “in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought”
1951 Pär Lagerkvist Sweden Swedish “for the artistic vigour and true independence of mind with which he endeavours in his poetry to find answers to the eternal questions confronting mankind”
1952 François Mauriac France French “for the deep spiritual insight and the artistic intensity with which he has in his novels penetrated the drama of human life”
1953 Winston Churchill United Kingdom English “for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values”
1954 Ernest Hemingway United States English “for his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style”
1955 Halldór Laxness Iceland Icelandic “for his vivid epic power which has renewed the great narrative art of Iceland”
1956 Juan Ramón Jiménez Spain Spanish “for his lyrical poetry, which in Spanish language constitutes an example of high spirit and artistical purity”
1957 Albert Camus France French “for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times”
1958 Boris Pasternak Soviet Union Russian “for his important achievement both in contemporary lyrical poetry and in the field of the great Russian epic tradition”
1959 Salvatore Quasimodo Italy Italian “for his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times”
1960 Saint-John Perse France French “for the soaring flight and the evocative imagery of his poetry which in a visionary fashion reflects the conditions of our time”
1961 Ivo Andrić Yugoslavia Serbo-Croatian “for the epic force with which he has traced themes and depicted human destinies drawn from the history of his country”
1962 John Steinbeck United States English “for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception”
1963 Giorgos Seferis Greece Greek “for his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture”
1964 Jean-Paul Sartre France French “for his work which, rich in ideas and filled with the spirit of freedom and the quest for truth, has exerted a far-reaching influence on our age”
1965 Mikhail Sholokhov Soviet Union Russian “for the artistic power and integrity with which, in his epic of the Don, he has given expression to a historic phase in the life of the Russian people”
1966 Shmuel Yosef Agnon Israel Hebrew “for his profoundly characteristic narrative art with motifs from the life of the Jewish people”
Nelly Sachs Germany German “for her outstanding lyrical and dramatic writing, which interprets Israel’s destiny with touching strength”
1967 Miguel Ángel Asturias Guatemala Spanish “for his vivid literary achievement, deep-rooted in the national traits and traditions of Indian peoples of Latin America”
1968 Kawabata Yasunari Japan Japanese “for his narrative mastery, which with great sensibility expresses the essence of the Japanese mind”
1969 Samuel Beckett Ireland French “for his writing, which – in new forms for the novel and drama – in the destitution of modern man acquires its elevation”
1970 Aleksandr Solzhenitsyn Soviet Union Russian “for the ethical force with which he has pursued the indispensable traditions of Russian literature”
1971 Pablo Neruda Chile Spanish “for a poetry that with the action of an elemental force brings alive a continent’s destiny and dreams”
1972 Heinrich Böll West Germany German “for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature”
1973 Patrick White Australia English “for an epic and psychological narrative art which has introduced a new continent into literature”
1974 Eyvind Johnson Sweden Swedish “for a narrative art, farseeing in lands and ages, in the service of freedom”
Harry Martinson Sweden Swedish “for writings that catch the dewdrop and reflect the cosmos”
1975 Eugenio Montale Italy Italian “for his distinctive poetry which, with great artistic sensitivity, has interpreted human values under the sign of an outlook on life with no illusions”
1976 Saul Bellow United States English “for the human understanding and subtle analysis of contemporary culture that are combined in his work”
1977 Vicente Aleixandre Spain Spanish “for a creative poetic writing which illuminates man’s condition in the cosmos and in present-day society, at the same time representing the great renewal of the traditions of Spanish poetry between the wars”
1978 Isaac Bashevis Singer United States Yiddish “for his impassioned narrative art which, with roots in a Polish-Jewish cultural tradition, brings universal human conditions to life”
1979 Odysseas Elytis Greece Greek “for his poetry, which, against the background of Greek tradition, depicts with sensuous strength and intellectual clear-sightedness modern man’s struggle for freedom and creativeness”
1980 Czesław Miłosz Poland Polish “who with uncompromising clear-sightedness voices man’s exposed condition in a world of severe conflicts”
1981 Elias Canetti Bulgaria / United Kingdom German “for writings marked by a broad outlook, a wealth of ideas and artistic power”
1982 Gabriel García Márquez Colombia Spanish “for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent’s life and conflicts”
1983 William Golding United Kingdom English “for his novels which, with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today”
1984 Jaroslav Seifert Czechoslovakia Czech “for his poetry which endowed with freshness, and rich inventiveness provides a liberating image of the indomitable spirit and versatility of man”
1985 Claude Simon France French “who in his novel combines the poet’s and the painter’s creativeness with a deepened awareness of time in the depiction of the human condition”
1986 Wole Soyinka Nigeria English “who in a wide cultural perspective and with poetic overtones fashions the drama of existence”
1987 Joseph Brodsky United States Russian “for an all-embracing authorship, imbued with clarity of thought and poetic intensity”
1988 Naguib Mahfouz Egypt Arabic “who, through works rich in nuance – now clear-sightedly realistic, now evocatively ambiguous – has formed an Arabian narrative art that applies to all mankind”
1989 Camilo José Cela Spain Spanish “for a rich and intensive prose, which with restrained compassion forms a challenging vision of man’s vulnerability”
1990 Octavio Paz Mexico Spanish “for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity”
1991 Nadine Gordimer South Africa English “who through her magnificent epic writing has – in the words of Alfred Nobel – been of very great benefit to humanity”
1992 Derek Walcott Saint Lucia English “for a poetic oeuvre of great luminosity, sustained by a historical vision, the outcome of a multicultural commitment”
1993 Toni Morrison United States English “who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality”
1994 Ōe Kenzaburō Japan Japanese “who with poetic force creates an imagined world, where life and myth condense to form a disconcerting picture of the human predicament today”
1995 Seamus Heaney Ireland English “for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past”
1996 Wisława Szymborska Poland Polish “for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality”
1997 Dario Fo Italy Italian “who emulates the jesters of the Middle Ages in scourging authority and upholding the dignity of the downtrodden”
1998 José Saramago Portugal Portuguese “who with parables sustained by imagination, compassion and irony continually enables us once again to apprehend an elusory reality”
1999 Günter Grass Germany German “whose frolicsome black fables portray the forgotten face of history”
2000 Gao Xingjian France Chinese “for an oeuvre of universal validity, bitter insights and linguistic ingenuity, which has opened new paths for the Chinese novel and drama”
2001 V. S. Naipaul United Kingdom English “for having united perceptive narrative and incorruptible scrutiny in works that compel us to see the presence of suppressed histories”
2002 Imre Kertész Hungary Hungarian “for writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history”
2003 J. M. Coetzee South Africa English “who in innumerable guises portrays the surprising involvement of the outsider”
2004 Elfriede Jelinek Austria German “for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society’s clichés and their subjugating power”
2005 Harold Pinter United Kingdom English “who in his plays uncovers the precipice under everyday prattle and forces entry into oppression’s closed rooms”
2006 Orhan Pamuk Turkey Turkish “who in the quest for the melancholic soul of his native city has discovered new symbols for the clash and interlacing of cultures”
2007 Doris Lessing United Kingdom English “that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny”
2008 J. M. G. Le Clézio France French “author of new departures, poetic adventure and sensual ecstasy, explorer of a humanity beyond and below the reigning civilization”
2009 Herta Müller Germany German “who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed”
2010 Mario Vargas Llosa Peru Peruvian “for his cartography of structures of power and his trenchant images of the individual’s resistance, revolt, and defeat”.
2011 Tomas Tranströmer Sweden Swedish “because, through his condensed, translucent images, he gives us fresh access to reality”. poetry, translation
2012 Mo Yan China Chinese “who with hallucinatory realism merges folk tales, history and the contemporary”. novel, short story
2013 Alice Munro Canada English “master of the contemporary short story” short story
 
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Posted by на Ноември 6, 2010 во Uncategorized

 

Canadian Literature

Date


Title Author
1832 Wacousta John Richardson
1836 The Sayings and Doings of Sam Slick Thomas Chandler Haliburton
The Clockmaker Thomas Chandler Haliburton
The Backwoods of Canada Catherine Parr Traill
1852 Roughing It in the Bush Susanna Moodie
1886 In Divers Tones Charles G.D. Roberts
1893 Low Tide on Grand Pre Bliss Carmen
The Magic House and Other Poems Duncan Campbell Scott
1895 Lyrics of Earth Archibald Lampman
1902 The Man from Glengarry Ralph Connor
1904 The Imperialist Sarah Jeannette Duncan
1907 Songs of a Sourdough Robert Service
1908 Anne of Green Gables Lucy Maude Montgomery
1910 My Financial Career Stephen Leacock
1912 Sunshine Sketches of a Little Town Stephen Leacock
1914 Arcadian Adventures With the Idle Rich Stephen Leacock
1921 Maria Chapdelaine Louis Hémon
1923 Newfoundland Verse E.J. Pratt
1925 Settlers of the Marsh Frederick Philip Grove
1927 Jalna Mazo de la Roche
The Master’s Wife Andrew MacPhail
1928 Strange Fugitive Morley Callaghan
Green Pitcher Dorothey Livesay
1929 White Narcissus Raymond Knister
1933 Fruits of the Earth Frederick Philip Grove
Lyrics of Earth Archibald Lampman
1934 Such is My Beloved Morley Callaghan
1935 They Shall Inherit the Earth Morley Callaghan
1937 More Joy in Heaven Morley Callaghan
1941 Barometer Rising Hugh MacLennan
As For Me and My House Sinclair Ross
1942 His Majesty’s Yankees Thomas H. Raddall
David Earl Birney
1943 News of the Phoenix and Other Poems A.J.M. Smith
1944 The Master of the Mill Frederick Philip Grove
Earth and High Heaven Gwethalyn Graham
1945 Two Solitudes Hugh MacLennan
The Tin Flute Gabrielle Roy
By Grand Central Station I Sat Down and Wept Elizabeth Smart
1946 When We Are Young Raymond Souster
East of the City Louis Dudek
1947 Music at the Close Edward McCourt
Hetty Dorval Ethel Wilson
Under the Volcano Malcolm Lowry
Who Has Seen the Wind? W.O. Mitchell
Poems for People Dorothey Livesay
1949 Turvey Earl Birney
The Innocent Traveller Ethel Wilson
1950 Home is the Stranger Edward McCourt
Cabbagetown Hugh Garner
The Nymph and the Lamp Thomas H. Raddall
1951 The Loved and the Lost Morley Callaghan
Tempest Tost Robertson Davies
The Second Scroll A.M. Klein
Where Nests the Water Hen Gabrielle Roy
1952 The Mountain and the Valley Ernest Buckler
The Equations of Love Ethel Wilson
Towards the Last Spike E.J. Pratt
1954 Swamp Angel Ethel Wilson
Leaven of Malice Robertson Davies
1955 The Lonely Passion of Judith Hearne Brian Moore
1956 Let Us Compare Mythologies Leonard Cohen
1958 Canada Made Me Norman Levine
Execution Colin McDougall
1959 The Apprenticeship of Duddy Kravitz Mordecai Richler
The Double Hook Sheila Watson
Morley Callaghan’s Stories Morley Callaghan
1960 Winter Sun Margaret Avison
Mad Shadows Marie-Claire Blais
The Luck of Ginger Coffey Brian Moore
1961 The Stone Angel Margaret Laurence
Jake and the Kid W.O. Mitchell
1962 Flying a Red Kite Hugh Hood
1963 Never Cry Wolf Farley Mowat
Hugh Garner’s Best Stories Hugh Garner
1964 The Stone Angel Margaret Laurence
1965 Next Episode Hubert Aquin
1966 A Season in the Life of Emmannuel Marie-Claire Blais
Beautiful Losers Leonard Cohen
A Jest of God Margaret Laurence
St. Urbain’s Horseman Mordecai Richler
1967 I Heard the Owl Call My Name Margaret Craven
Bread, Wine and Salt Alden Nowlan
1968 Les Belles-Soeurs Michel Tremblay
1969 I’ve Tasted My Blood Milton Acorn
The Edible Woman Margaret Atwood
Five Legs Graeme Gibson
The Studhorse Man Robert Kroetsch
Selected Poetry Irving Layton
The Shadow-Maker Gwendolyn MacEwen
1970 Fifth Business Robertson Davies
Kamouraska Anne Hébert
The Ecstasy of Rita Joe George Ryga
The Weekend Man Richard B. Wright
1970–71 Creeps David Freeman
1971 Power Politics Margaret Atwood
Lives of Girls and Women Alice Munro
1972 More Poems for People Milton Acorn
The Great Canadian Novel Harry J. Boyle
Selected Poems Al Purdy
1972-87 The Martyrology bpNichol
1973 The Book of Eve Constance Beresford-Howe
The Temptations of Big Bear Rudy Wiebe
1974 The Diviners Margaret Laurence
Alligator Pie Dennis Lee
1975 The Swing in the Garden Hugh Hood
Farewell, Babylon Naïm Kattan
A Suit of Nettles James Reaney
1976 Bear Marian Engel
Spit Delaney’s Island Jack Hodgins
1977 The Invention of the World Jack Hodgins
The Wars Timothy Findlay
1978 Judith Aritha van Herk
1979 The Hockey Sweater and Other Stories Roch Carrier
Balconville David Fennario
Jitters David French
Pélagie Antoine Maillet
1980 Selected Poem: Beyond Even Faithful Legends Bill Bissett
1981 The Alley Cat Yves Beauchemin
Famous Last Words Timothy Findlay
Obasan Joy Kogawa
Collected Poems F.R. Scott
1982 Shoeless Joe W.P. Kinsella
Man Descending Guy Vanderhaege
1983 A Time for Judas Morley Callaghan
1984 Neuromancer William Gibson
The Engineer of Human Souls Josef Skvorecký
1984-86 The Fionavar Tapestry Guy Gavriel Kay
1985 Black Robe Brian Moore
The Handmaid’s Tale Margaret Atwood
1987 The Stone Diaries Carol Shields
In the Skin of A Lion Michael Ondaatje
1988 Volkswagen Blues Jacques Poulin
Nights Below Station Street David Adams Richards
1989 Unidentified Human Remains and the True Nature of Love Brad Fraser
Mister Sandman Barbara Gowdy
1990 Mauve Desert Nicole Brossard
Dry Lips Oughta Move to Kapuskasing Tomson Highway
Lives of the Saints Nino Ricci
1991 Generation X Douglas Coupland
1992 We So Seldom Look on Love Barbara Gowdy
The English Patient Michael Ondaatje
1993 Stranger Music: Selected Poems and Songs Leonard Cohen
Away Jane Urquhart
1995 A Fine Balance Rohan Mistry
The Maestro Tim Wynn-Jones
1996 Fall on Your Knees Ann-Marie MacDonald
Selected Stories Mavis Gallant
1997 The Hidden Room: Collected Poems P.K. Page
1998 Goodnight Desdemona (Good Morning Juliet) Ann-Marie MacDonald
1999 Elizabeth and After Matt Cohen
The Drawer Boy Michael Healey
No Great Mischief Alistair Macleod
Barney’s Version Mordecai Richler

 

 
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Posted by на Ноември 6, 2010 во Uncategorized

 

Periods of Literary History

EARLY PERIODS OF LITERATURE

These periods are spans of time in which literature shared intellectual, linguistic, religious, and artistic influences. In theWestern tradition, the early periods of literary history are roughly as follows below:

A. THE CLASSICAL PERIOD (1200 BCE – 455 CE)

I. HOMERIC or HEROIC PERIOD (1200-800 BCE) Greek legends are passed along orally, including Homer’sThe Iliad and The Odyssey. This is a chaotic period of warrior-princes, wandering sea-traders, and fierce pirates.

II. CLASSICAL GREEK PERIOD (800-200 BCE) Greek writers, playwrights, and philosophers such as Gorgias,Aesop, Plato, Socrates, Aristotle, Euripides, and Sophocles. The fifth century (499-400 BCE) in particular isrenowned as The Golden Age of Greece. This is the sophisticated period of the polis, or individual City-State, andearly democracy. Some of the world’s finest art, poetry, drama, architecture, and philosophy originate in Athens.

III. CLASSICAL ROMAN PERIOD (200 BCE-455 CE) Greece’s culture gives way to Roman power when Romeconquers Greece in 146 CE. The Roman Republic was traditionally founded in 509 BCE, but it is limited in sizeuntil later. Playwrights of this time include Plautus and Terence. After nearly 500 years as a Republic, Rome slidesinto dictatorship under Julius Caesar and finally into a monarchial empire under Caesar Augustus in 27 CE. Thislater period is known as the Roman Imperial period. Roman writers include Ovid, Horace, and Virgil. Romanphilosophers include Marcus Aurelius and Lucretius. Roman rhetoricians include Cicero and Quintilian.

IV. PATRISTIC PERIOD (c. 70 CE-455 CE) Early Christian writings appear such as Saint Augustine, Tertullian,Saint Cyprian, Saint Ambrose and Saint Jerome. This is the period in which Saint Jerome first compiles the Bible,when Christianity spreads across Europe, and the Roman Empire suffers its dying convulsions. In this period,barbarians attack Rome in 410 CE and the city finally falls to them completely in 455 CE.

B. THE MEDIEVAL PERIOD (455 CE-1485 CE)

I. THE OLD ENGLISH (ANGLO-SAXON) PERIOD (428-1066) The so-called “Dark Ages” (455 CE -799 CE) occur when Rome falls and barbarian tribes move into Europe. Franks,Ostrogoths, Lombards, and Goths settle in the ruins of Europe and the Angles, Saxons, and Jutes migrate to Britain, displacing native Celts into Scotland, Ireland, and Wales. Early Old English poems such as Beowulf, TheWanderer, and The Seafarer originate sometime late in the Anglo-Saxon period.

The Carolingian Renaissance (800- 850 CE) emerges in Europe. In central Europe, texts include early medievalgrammars, encyclopedias, etc. In northern Europe, this time period marks the setting of Viking sagas.

II. THE MIDDLE ENGLISH PERIOD (c. 1066-1450 CE)

In 1066, Norman French armies invade and conquer England under William I. This marks the end of the Anglo-Saxon hierarchy and the emergence of the Twelfth Century Renaissance (c. 1100-1200 CE). French chivalricromances–such as works by Chretien de Troyes–and French fables–such as the works of Marie de France andJeun de Meun–spread in popularity. Abelard and other humanists produce great scholastic and theologicalworks.

Late or “High” Medieval Period (c. 1200-1485 CE): This often tumultuous period is marked by the Middle Englishwritings of Geoffrey Chaucer, the “Gawain” or “Pearl” Poet, the Wakefield Master, and William Langland. Otherwriters include Italian and French authors like Boccaccio, Petrarch, Dante, and Christine de Pisan.

C. THE RENAISSANCE AND REFORMATION (c. 1485-1660 CE)

(The Renaissance takes place in the late 15th, 16th, and early 17th century in Britain, but somewhat earlier in Italyand the southern Europe, somewhat later in northern Europe.)

I. Early Tudor Period (1485-1558): The War of the Roses ends in England with Henry Tudor (Henry VII) claimingthe throne. Martin Luther’s split with Rome marks the emergence of Protestantism, followed by Henry VIII’sAnglican schism, which creates the first Protestant church in England. Edmund Spenser is a sample poet.

II. Elizabethan Period (1558-1603): Queen Elizabeth saves England from both Spanish invasion and internalsquabbles at home. Her reign is marked by the early works of Shakespeare, Marlowe, Kydd, and Sidney.

III. Jacobean Period (1603-1625): Shakespeare’s later work, Aemilia Lanyer, Ben Jonson, and John Donne.

IV. Caroline Age (1625-1649): John Milton, George Herbert, Robert Herrick, the “Sons of Ben” and others writeduring the reign of Charles I and his Cavaliers.

V. Commonwealth Period or Puritan Interregnum (1649-1660): Under Cromwell’s Puritan dictatorship, JohnMilton continues to write, but we also find writers like Andrew Marvell and Sir Thomas Browne.

LATER PERIODS OF LITERATURE

These periods are spans of time in which literature shared intellectual, linguistic, religious, and artistic influences. In theWestern tradition, the later periods of literary history are roughly as follows below:

D. The Enlightenment (Neoclassical) Period (c. 1660-1790)

“Neoclassical” refers to the increased influence of Classical literature upon these centuries. The Neoclassical Periodis also called the “Enlightenment” due to the increased reverence for logic and disdain for superstition. The periodis marked by the rise of Deism, intellectual backlash against earlier Puritanism, and America’s revolution against England.

I. Restoration Period (c. 1660-1700): This period marks the British king’s restoration to the throne after along period of Puritan domination in England. Its symptoms include the dominance of French and Classicalinfluences on poetry and drama. Sample writers include John Dryden, John Lock, Sir William Temple, andSamuel Pepys, and Aphra Behn in England. Abroad, representative authors include Jean Racine andMolière.

II. The Augustan Age (c. 1700-1750): This period is marked by the imitation of Virgil and Horace’s literaturein English letters. The principal English writers include Addison, Steele, Swift, and Alexander Pope.Abroad, Voltaire is the dominant French writer.

III. The Age of Johnson (c. 1750-1790): This period marks the transition toward the upcoming Romanticismthough the period is still largely Neoclassical. Major writers include Dr. Samuel Johnson, Boswell, andEdward Gibbon who represent the Neoclassical tendencies, while writers like Robert Burns, Thomas Gray,Cowper, and Crabbe show movement away from the Neoclassical ideal. In America, this period is calledthe Colonial Period. It includes colonial and revolutionary writers like Ben Franklin, Thomas Jefferson,and Thomas Paine.

E. ROMANTIC PERIOD (c. 1790-1830)

Romantic poets write about nature, imagination, and individuality in England. Some Romantics include Coleridge,Blake, Keats, and Shelley in Britain and Johann von Goethe in Germany. Jane Austen also writes at this time,though she is typically not categorized with the male Romantic poets. In America, this period is mirrored in theTranscendental Period from about 1830-1850. Transcendentalists include Emerson and Thoreau. Gothic writings, (c. 1790-1890) overlap with the Romantic and Victorian periods. Writers of Gothic novels (the precursorto horror novels) include Radcliffe, Monk Lewis, and Victorians like Bram Stoker in Britain. In America, Gothicwriters include Poe and Hawthorne.

F. VICTORIAN PERIOD And The 19th Century (c. 1832-1901)

Writing during the period of Queen Victoria’s reign includes sentimental novels. British writers include ElizabethBrowning, Alfred Lord Tennyson, Matthew Arnold, Robert Browning, Charles Dickens, and the Brontë sisters. Pre-Raphaelites, like the Rossettis and William Morris, idealize and long for the morality of the medieval world. Theend of the Victorian Period is marked by intellectual movements of Aestheticism and “the Decadence” in thewritings of Walter Pater and Oscar Wilde. In America, Naturalist writers like Stephen Crane flourish, as do earlyfree verse poets like Walt Whitman and Emily Dickinson.

G. MODERN PERIOD (c. 1914-1945)

In Britain, modernist writers include W. B. Yeats, Seamus Heaney, Dylan Thomas, W. H. Auden, Virginia Woolf,and Wilfred Owen. In America, the modernist period includes Robert Frost and Flannery O’Connor as well as thefamous writers of The Lost Generation (also called the writers of The Jazz Age, 1914-1929) such as Hemingway,Stein, Fitzgerald, and Faulkner. “The Harlem Renaissance” marks the rise of black writers such as Baldwin and Ellison. Realism is the dominant fashion, but the disillusionment with the World Wars lead to new experimentation.

H. POSTMODERN PERIOD (c. 1945 onward)

T. S. Eliot, Morrison, Shaw, Beckett, Stoppard, Fowles, Calvino, Ginsberg, Pynchon, and other modern writers,poets, and playwrights experiment with metafiction and fragmented poetry. Multiculturalism leads to increasingcanonization of non-Caucasian writers such as Langston Hughes, Sandra Cisneros, and Zora Neal Hurston. MagicRealists such as Gabriel García Márquez, Luis Borges, Alejo Carpentier, Günter Grass, and Salman Rushdie flourish with surrealistic writings embroidered in the conventions of realism.

Periods_Lit_History

 

 
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The Novel 100: A Ranking of the Greatest Novels of All Time

The list below is from the book The Novel 100: A Ranking of Greatest Novels All Time (Checkmark Books/Facts On File, Inc.: New York, 2004), written by Daniel S. Burt.

Burt holds a Ph.D from New York University with a specialty in Victorian fiction and was for nine years a dean at Wesleyan University, where he has also taught literature courses since 1989. He is also the author of The Novel 100: A Ranking of the Greatest Novels of All Time.

Note that in compiling the list of novels that was the basis for this book, Burt had to impose a number of constraints about what should be considered a novel. Although some works recognized as classics of science fiction (or, more broadly, speculative fiction) are on the list (e.g., Frankenstein; Dracula; Nineteen Eighty-Four), Burt specifically excluded works that seemed to veer too much from primarily naturalistic and contemporary-oriented narratives, thus excluding from consideration most science fiction and fantasy. Books such as Tolkien’s The Lord of the Rings, Card’s Ender’s Game, Miller’s A Canticle for Leibowitz and Frank Herbert’s Dune were excluded from consideration as “novels.” Burt’s functional definition of “novel” used here (i.e., books belonging to the “novel genre” or, in most cases, the “literary novel genre”) is thus narrower than how the word is used by the general public. From the book’s introduction, pages ix-x:

What makes a listing of the greatest novels even more problematic is the lack of any consensus about which works rightfully constitute the genre… the novel is such a hybrid and adaptive genre, assimilating other prose and verse forms… A standard definition of the novel–an extended prose narrative–is so broad that it fails to limit the field usefully… I have been influenced in this regard, like many, by literary critic Ian Watt’s groundbreaking 1957 study, The Rise of the Novel, which contends that the novel as a distinctive genre emerged in 18th-century England through the shifting of the emphasis of previous prose romances and their generalized and idealized characters, settings, and situations to a particularity of individual experience. In other words, the novel replaced the romance’s interest in the general and the ideal with a concern for the particular. The here and now substituted for the romance’s interest in the long ago and far away. As 18th-century novelist Clara Reece observed, “The Novel is a picture of real life and manners, and of the times in which it was written. The Romance, in lofty and elevated language, describes what has never happened nor is likely to.” Novelists began to represent the actual world accurately, governed by the laws of probability.
…It would be far too reductive and misleading, however, to define the novel only by its realism or accurate representation of ordinary life… It would be far more accurate to say that the novel as a distinct genre attempts a synthesis between romance and realism, between a poetic, imaginative alternative to actuality and a more authentic representation. For purposes of my listing, I have narrowed the field by categorizing as novels works that engage in that synthesis. Some narrative works judged too far in the direction of fantasy–Rabelais’s Gargantua and Pantagruel, Bunyan’s The Pilgrim’s Progress, Swift’s Gulliver’s Travels, Carroll’s Alice in Wonderland–have been excluded. I have also made judgment calls on the question of the required length of a novel and have ruled out of contention such important fictional works as Joseph Conrad’s Heart of Darkness and Franz Kafka’s The Metamorphosis as falling short of the amplitude expected when confronting a novel.


Title of Great Novel


Year Author
1 Don Quixote 1605, 1630 Miguel de Cervantes  
2 War and Peace 1869 Leo Tolstoy  
3 Ulysses 1922 James Joyce  
4 In Search of Lost Time 1913-27 Marcel Proust  
5 The Brothers Karamazov 1880 Feodor Dostoevsky  
6 Moby-Dick 1851 Herman Melville  
7 Madame Bovary 1857 Gustave Flaubert  
8 Middlemarch 1871-72 George Eliot  
9 The Magic Mountain 1924 Thomas Mann  
10 The Tale of Genji 11th Century Murasaki Shikibu  
11 Emma 1816 Jane Austen  
12 Bleak House 1852-53 Charles Dickens  
13 Anna Karenina 1877 Leo Tolstoy  
14 Adventures of Huckleberry Finn 1884 Mark Twain  
15 Tom Jones 1749 Henry Fielding  
16 Great Expectations 1860-61 Charles Dickens  
17 Absalom, Absalom! 1936 William Faulkner  
18 The Ambassadors 1903 Henry James  
19 One Hundred Years of Solitude 1967 Gabriel Garcia Marquez  
20 The Great Gatsby 1925 F. Scott Fitzgerald  
21 To The Lighthouse 1927 Virginia Woolf  
22 Crime and Punishment 1866 Feodor Dostoevsky  
23 The Sound and the Fury 1929 William Faulkner  
24 Vanity Fair 1847-48 William Makepeace Thackeray  
25 Invisible Man 1952 Ralph Ellison  
26 Finnegans Wake 1939 James Joyce  
27 The Man Without Qualities 1930-43 Robert Musil  
28 Gravity’s Rainbow 1973 Thomas Pynchon  
29 The Portrait of a Lady 1881 Henry James  
30 Women in Love 1920 D. H. Lawrence  
31 The Red and the Black 1830 Stendhal  
32 Tristram Shandy 1760-67 Laurence Sterne  
33 Dead Souls 1842 Nikolai Gogol  
34 Tess of the D’Urbervilles 1891 Thomas Hardy  
35 Buddenbrooks 1901 Thomas Mann  
36 Le Pere Goriot 1835 Honore de Balzac  
37 A Portrait of the Artist as a Young Man 1916 James Joyce  
38 Wuthering Heights 1847 Emily Bronte  
39 The Tin Drum 1959 Gunter Grass  
40 Molloy; Malone Dies; The Unnamable 1951-53 Samuel Beckett  
41 Pride and Prejudice 1813 Jane Austen  
42 The Scarlet Letter 1850 Nathaniel Hawthorne  
43 Fathers and Sons 1862 Ivan Turgenev  
44 Nostromo 1904 Joseph Conrad  
45 Beloved 1987 Toni Morrison  
46 An American Tragedy 1925 Theodore Dreiser  
47 Lolita 1955 Vladimir Nabokov  
48 The Golden Notebook 1962 Doris Lessing  
49 Clarissa 1747-48 Samuel Richardson  
50 Dream of the Red Chamber 1791 Cao Xueqin  
51 The Trial 1925 Franz Kafka  
52 Jane Eyre 1847 Charlotte Bronte  
53 The Red Badge of Courage 1895 Stephen Crane  
54 The Grapes of Wrath 1939 John Steinbeck  
55 Petersburg 1916/1922 Andrey Bely  
56 Things Fall Apart 1958 Chinue Achebe  
57 The Princess of Cleves 1678 Madame de Lafayette  
58 The Stranger 1942 Albert Camus  
59 My Antonia 1918 Willa Cather  
60 The Counterfeiters 1926 Andre Gide  
61 The Age of Innocence 1920 Edith Wharton  
62 The Good Soldier 1915 Ford Madox Ford  
63 The Awakening 1899 Kate Chopin  
64 A Passage to India 1924 E. M. Forster  
65 Herzog 1964 Saul Bellow  
66 Germinal 1855 Emile Zola  
67 Call It Sleep 1934 Henry Roth  
68 U.S.A. Trilogy 1930-38 John Dos Passos  
69 Hunger 1890 Knut Hamsun  
70 Berlin Alexanderplatz 1929 Alfred Doblin  
71 Cities of Salt 1984-89 ‘Abd al-Rahman Munif  
72 The Death of Artemio Cruz 1962 Carlos Fuentes  
73 A Farewell to Arms 1929 Ernest Hemingway  
74 Brideshead Revisited 1945 Evelyn Waugh  
75 The Last Chronicle of Barset 1866-67 Anthony Trollope  
76 The Pickwick Papers 1836-67 Charles Dickens  
77 Robinson Crusoe 1719 Daniel Defoe  
78 The Sorrows of Young Werther 1774 Johann Wolfgang von Goethe  
79 Candide 1759 Voltaire  
80 Native Son 1940 Richard Wright  
81 Under the Volcano 1947 Malcolm Lowry  
82 Oblomov 1859 Ivan Goncharov  
83 Their Eyes Were Watching God 1937 Zora Neale Hurston  
84 Waverley 1814 Sir Walter Scott  
85 Snow Country 1937, 1948 Kawabata Yasunari  
86 Nineteen Eighty-Four 1949 George Orwell  
87 The Betrothed 1827, 1840 Alessandro Manzoni  
88 The Last of the Mohicans 1826 James Fenimore Cooper  
89 Uncle Tom’s Cabin 1852 Harriet Beecher Stowe  
90 Les Miserables 1862 Victor Hugo  
91 On the Road 1957 Jack Kerouac  
92 Frankenstein 1818 Mary Shelley  
93 The Leopard 1958 Giuseppe Tomasi di Lampedusa  
94 The Catcher in the Rye 1951 J.D. Salinger  
95 The Woman in White 1860 Wilkie Collins  
96 The Good Soldier Svejk 1921-23 Jaroslav Hasek  
97 Dracula 1897 Bram Stoker  
98 The Three Musketeers 1844 Alexandre Dumas  
99 The Hound of Baskervilles 1902 Arthur Conan Doyle  
100 Gone with the Wind 1936 Margaret Mitchell  

 

 
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